000 | 05369cam a2200637Mi 4500 | ||
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001 | 9780429345388 | ||
003 | FlBoTFG | ||
005 | 20220724194523.0 | ||
006 | m o d | ||
007 | cr |n||||||||| | ||
008 | 201213s2021 nyua ob 001 0 eng d | ||
040 |
_aOCoLC-P _beng _cOCoLC-P |
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020 |
_a9781000283679 _q(electronic bk.) |
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020 |
_a1000283674 _q(electronic bk.) |
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020 |
_a9781000283570 _q(PDF ebook) |
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020 | _a1000283577 | ||
020 |
_a9781000283624 _q(Mobipocket ebook) |
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020 | _a1000283623 | ||
020 | _a0429345380 | ||
020 |
_a9780429345388 _q(electronic bk.) |
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020 | _z9780367363376 | ||
020 | _z0367363372 | ||
020 | _z9780367363352 | ||
020 | _z0367363356 | ||
024 | 7 |
_a10.4324/9780429345388 _2doi |
|
035 | _a(OCoLC)1226644521 | ||
035 | _a(OCoLC-P)1226644521 | ||
050 | 4 | _aML55 | |
072 | 7 |
_aMUS _x032000 _2bisacsh |
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_aUYU _2bicssc |
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082 | 0 | 4 |
_a781.4 _223 |
245 | 0 | 0 |
_aInnovation in music _h[electronic resource] : _bfuture opportunities / _cedited by Russ Hepworth-Sawyer, Justin Paterson and Rob Toulson. |
264 | 1 |
_aNew York : _bFocal Press, _c2021. |
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300 | _a1 online resource. | ||
336 |
_atext _2rdacontent |
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336 |
_astill image _2rdacontent |
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337 |
_acomputer _2rdamedia |
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338 |
_aonline resource _2rdacarrier |
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490 | 0 | _aPerspectives on music production series | |
505 | 0 | _a<P><STRONG>Part I Music production innovation </STRONG>1. Country Eastern: Contextual and cultural mediation in the recording studio -- two producers, two artists, two cultures 2. Defining and developing a sonic signature in music mixing: A practice-based approach as modern-day studio mentorship 3. Making records within records: Manufacturing phonographic 'otherness' in sample-based Hip Hop production 4. Motormouth: An essay in sonic recontextualization 5. The Individualist: Todd Rundgren's approach to innovation and his 1993 interactive album <I>No World Order </I>6. Ground control and cloud booths: Using Dante to break geographical barriers to music production7. Music production utilising Internet of Things technologies <STRONG>PART II Music technology innovation </STRONG>8. development of an Ambisonic Guitar System 9. Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study 10. Improvising song writing and composition within a hybrid modular synthesis system 11. Speaker Park: An intersection of loudspeaker design and post-acousmatic composition 12. Sound objects: Exploring procedural audio for theatre 13. Hearing and feeling memories: Connecting image, sound and haptic feedback to create a multisensory experience of photographs 14. Concepts for the design of accessible music technology 15. Security engineering in the arts <STRONG>PART III Performance innovation </STRONG>16. Transparency and authenticity in the live arena: An exploration of electronic music performance techniques 17. BTS' "Speak Yourself" world tour as an intermedial spectacle of attachment 18. A review of contemporary practices incorporating digital technologies with live classical music 19. Free ensembles and small (chamber) orchestras as innovative drivers of classical music in Germany 20. Transforming musical performance: Activating the audience as digital collaborators 21. The online composer-audience collaboration 22. New instruments as creativity triggers in composer-performer collaboration 23. "My avatar and me": Technology-enhanced mirror in monitoring music performance practice 24. Creative considerations for on-screen visuals in electronic pop music performances <STRONG>PART IV Music business and artist development innovation </STRONG>25. Towards a quantum theory of musical creativity 26. Observing mood-based patterns and commonalities in music using machine learning algorithms 27. The role of contests and talent shows as part of the artist development process within the music industry 28. Music: Leeds -- supporting a regionalised music sector and scene</P><P></P> | |
520 | _aInnovation in Music: Future Opportunities brings together cutting-edge research on new innovations in the field of music production, technology, performance and business. Including contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on a range of topics from cybersecurity, to accessible music technology, performance techniques and the role of talent shows within music business. Innovation in Music: Future Opportunities is the perfect companion for professionals and researchers alike with an interest in the music industry. | ||
588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 | _aMusic and technology. | |
650 | 0 |
_aMusic _xPerformance. |
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650 | 0 |
_aSound recordings _xProduction and direction. |
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650 | 0 | _aMusic trade. | |
650 | 7 |
_aMUSIC / Recording & Reproduction _2bisacsh |
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650 | 7 |
_aMUSIC / General _2bisacsh |
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700 | 1 |
_aHepworth-Sawyer, Russ, _eeditor. |
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700 | 1 |
_aPaterson, Justin, _eeditor. |
|
700 | 1 |
_aToulson, Rob, _eeditor. |
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856 | 4 | 0 |
_3Read Online _uhttps://www.taylorfrancis.com/books/9780429345388 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
942 |
_2lcc _cEBK |
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999 |
_c18567 _d18567 |