000 | 03518cam a2200553 i 4500 | ||
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001 | 9780429319358 | ||
003 | FlBoTFG | ||
005 | 20220724194243.0 | ||
006 | m d u | ||
007 | cr ||||||||||| | ||
008 | 200923t20212021enka ob 001 0 eng | ||
040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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020 |
_a9780429319358 _qelectronic book |
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020 |
_a0429319355 _qelectronic book |
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020 |
_a9781000347319 _qelectronic book |
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020 |
_a1000347311 _qelectronic book |
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020 |
_a9781000347470 _qelectronic book |
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020 |
_a1000347478 _qelectronic book |
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020 |
_a9781000347395 _qelectronic book |
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020 |
_a1000347397 _qelectronic book |
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020 |
_z9780367333546 _qhardcover |
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024 | 7 |
_a10.4324/9780429319358 _2doi |
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035 |
_a(OCoLC)1202730371 _z(OCoLC)1228889056 |
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035 | _a(OCoLC-P)1202730371 | ||
050 | 0 | 4 |
_aPN1997.C645 _bT46 2021 |
072 | 7 |
_aSOC _x052000 _2bisacsh |
|
072 | 7 |
_aJFD _2bicssc |
|
082 | 0 | 0 |
_a791.43/72 _223 |
100 | 1 |
_aTempleton, Peter, _d1986- _eauthor. |
|
245 | 1 | 0 |
_aClerks : _b'over the counter' culture and youth cinema / _cPeter Templeton. |
264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2021. |
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264 | 4 | _c©2021 | |
300 |
_a1 online resource (viii, 107 pages) : _billustrations. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aCinema and youth cultures | |
500 | _a"Routledge Focus" -- front cover. | ||
505 | 0 | _a'Insubordination rules': Clerks and the counterculture of the 1990s -- 'A job that makes a difference': youth and employment -- 'Who closed the store to play hockey?': work and leisure -- 'I still get free Gatorate, right?": Clerks, youth and consumption -- 'Any balls down there?': Clerks, slacker masculinity and sexaulity. | |
520 |
_a"Clerks (1994) was born of and appeals to a specific youth subculture, with the multimedia 'View Askewniverse' developing out of the film's initial release. This study of Kevin Smith's debut film breaks new ground by exploring how Clerks sits at the intersection of political and cultural trends relevant to alternative youth cultures in the early 1990s. Drawing on existing texts and movements such as Richard Linklater's Slacker (1991), Douglas Coupland's novel Generation X: Tales for an Accelerated Culture and alternative rock subcultures that had developed during and since the 1980s, the film presents a comedic take on working as a young person in 1990s America in a manner that was praised for its authenticity. Filmed on a miniscule budget, the roughness of the film's aesthetic, combined with a hard rock soundtrack comprised of mostly independent bands, convinced many that it could speak for young Americans, much more than polished, corporate Hollywood productions. At a time when young men were pessimistic about their economic prospects and their role in society was changing, Clerks provides a vivid representation of them caught in the pinch of this unsettling historical moment"-- _cProvided by publisher. |
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588 | _aOCLC-licensed vendor bibliographic record. | ||
630 | 0 | 0 | _aClerks (Motion picture) |
650 | 0 |
_aGeneration X _xIn motion pictures. |
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650 | 0 | _aLabor in motion pictures. | |
650 | 7 |
_aSOCIAL SCIENCE / Media Studies _2bisacsh |
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856 | 4 | 0 |
_3Read Online _uhttps://www.taylorfrancis.com/books/9780429319358 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
942 |
_2lcc _cEBK |
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999 |
_c15477 _d15477 |