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040			_aOCoLC-P _beng _erda _cOCoLC-P
020			_a9781000169645 _qelectronic book
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020			_a9780429331251 _qelectronic book
020			_a0429331258 _qelectronic book
020			_a9781000169621 _qelectronic book _qelectronic book
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020			_z9781000169638 _qelectronic book _qMobipocket
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035			_a(OCoLC)1183720025
035			_a(OCoLC-P)1183720025
050		4	_aQA76.76.C672 _bG3273 2021eb
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072		7	_aUYU _2bicssc
082	0	4	_a794.8/165 _223
245	0	0	_aGame audio programming. _n[volume] 3 : _bprinciples and practices / _cedited by Guy Somberg.
264		1	_aBoca Raton, FL : _bCRC Press, _c2021.
264		4	_c©2021
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
520			_aWelcome to the third volume of Game Audio Programming: Principles and Practices--the first series of its kind dedicated to the art and science of game audio programming. This volume contains 14 chapters from some of the top game audio programmers and sound designers in the industry. Topics range across game genres (ARPG, RTS, FPS, etc.), and from low-level topics such as DSP to high-level topics like using influence maps for audio. The techniques in this book are targeted at game audio programmers of all abilities, from newbies who are just getting into audio programming to seasoned veterans. All of the principles and practices in this book have been used in real shipping games, so they are all very practical and immediately applicable. There are chapters about split-screen audio, dynamic music improvisation, dynamic mixing, ambiences, DSPs, and more. This book continues the tradition of collecting modern, up-to-date knowledge and wisdom about game audio programming. So, whether you've been a game audio programmer for one year or ten years, or even if you've just been assigned the task and are trying to figure out what it's all about, this book is for you! Key Features Cutting-edge advanced game audio programming concepts with examples from real game audio engines Includes both high-level and low-level topics Practical code examples, math, and diagrams that you can apply directly to your game audio engine. Guy Somberg has been programming audio engines for his entire career. From humble beginnings writing a low-level audio mixer for slot machines, he quickly transitioned to writing game audio engines for all manner of games. He has written audio engines that shipped AAA games like Hellgate: London, Bioshock 2, The Sims 4, and Torchlight 3, as well as smaller titles like Minion Master, Tales from the Borderlands, and Game of Thrones. Guy has also given several talks at the Game Developer Conference, the Audio Developer Conference, and CppCon. When he's not programming or writing game audio programming books, he can be found at home reading, playing video games, and playing the flute.
588			_aOCLC-licensed vendor bibliographic record.
650		0	_aComputer games _xProgramming.
650		0	_aComputer sound processing.
650		0	_aComputer game music.
650		0	_aSound _xRecording and reproducing _xDigital techniques.
650		7	_aCOMPUTERS / Computer Graphics / Game Programming & Design _2bisacsh
650		7	_aCOMPUTERS / Computer Science _2bisacsh
700	1		_aSomberg, Guy, _eeditor.
856	4	0	_3Read Online _uhttps://www.taylorfrancis.com/books/9780429331251
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
942			_2lcc _cEBK
999			_c14490 _d14490