000 | 03468cam a22006018i 4500 | ||
---|---|---|---|
001 | 9780367421854 | ||
003 | FlBoTFG | ||
005 | 20220724194140.0 | ||
006 | m d u | ||
007 | cr ||||||||||| | ||
008 | 201119s2021 nyu ob 001 0 eng | ||
040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
||
020 |
_a9780367421854 _q(ebook) |
||
020 |
_a0367421852 _q(ebook) |
||
020 |
_a9781000298956 _q(electronic bk.) |
||
020 |
_a1000298957 _q(electronic bk.) |
||
020 |
_a9781000298871 _q(electronic bk. : PDF) |
||
020 |
_a1000298876 _q(electronic bk. : PDF) |
||
020 |
_a9781000298918 _q(electronic bk. : Mobipocket) |
||
020 |
_a1000298914 _q(electronic bk. : Mobipocket) |
||
020 |
_z9780367421847 _q(hardback) |
||
020 | _z0367421844 | ||
035 | _a(OCoLC)1220993249 | ||
035 | _a(OCoLC-P)1220993249 | ||
050 | 0 | 0 | _aPN1697 |
072 | 7 |
_aLAN _x015000 _2bisacsh |
|
072 | 7 |
_aPER _x011000 _2bisacsh |
|
072 | 7 |
_aLAN _x004000 _2bisacsh |
|
072 | 7 |
_aGTC _2bicssc |
|
082 | 0 | 0 |
_a808.2 _223 |
100 | 1 |
_aHarris Ramsby, Fiona, _d1968- _eauthor. |
|
245 | 1 | 0 |
_aLanguage and power on the rhetorical stage : _btheory in the body / _cFiona Harris Ramsby. |
264 | 1 |
_aNew York : _bRoutledge, _c2021. |
|
300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bn _2rdamedia |
||
338 |
_aonline resource _bnc _2rdacarrier |
||
490 | 1 | _aRoutledge studies in rhetoric and communication | |
520 |
_a"Through a fusion of narrative and analysis, Language and Power on the Rhetorical Stage examines how theater can enact critical discourse analysis, and how micro-instances of iniquitous language use have been politically and historically reiterated to oppress and deny equal rights to marginalized groups of people. Drawing from Aristophanes' rhetorical plays as a template for rhetoric in action, the author poses the stage as a rhetorical site whereby we can observe, see, and feel 20th-century rhetorical theories of the body. Using critical discourse analysis and Judith Butler's theories of the performative body as a methodological and analytical lens, the book explores how a handful of American plays in the latter part of the 20th century - the works of Tony Kushner, Suzan Lori-Parks, and John Cameron Mitchell, among others - use rhetoric in order to perform and challenge marginalizing language about groups who are not offered center stage in public and political spheres. This innovative study initiates a conversation long overdue between scholars in rhetorical and performance studies; as such, it will be essential reading for academic researchers and graduate students in the areas of rhetorical studies, performance studies, theatre studies, and critical discourse analysis"-- _cProvided by publisher. |
||
588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 | _aNarration (Rhetoric) | |
650 | 0 |
_aDrama _xTechnique. |
|
650 | 0 | _aDialogue. | |
650 | 0 |
_aRhetoric _xPolitical aspects. |
|
650 | 0 | _aDiscourse analysis, Literary. | |
650 | 0 | _aPerformative (Philosophy) | |
650 | 7 |
_aLANGUAGE ARTS & DISCIPLINES / Rhetoric _2bisacsh |
|
650 | 7 |
_aPERFORMING ARTS / Theater / General _2bisacsh |
|
650 | 7 |
_aLANGUAGE ARTS & DISCIPLINES / Communication _2bisacsh |
|
856 | 4 | 0 |
_3Read Online _uhttps://www.taylorfrancis.com/books/9780367421854 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
942 |
_2lcc _cEBK |
||
999 |
_c14280 _d14280 |