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Romanesque saints, shrines and pilgrimage / edited by John McNeill and Richard Plant.

By: Contributor(s): Material type: TextTextSeries: Publisher: New York, NY : Routledge, 2020Description: 1 online resource : illustrations (some color)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780429260162
  • 0429260164
  • 9780429522314
  • 0429522312
  • 9780429535789
  • 0429535783
  • 9780429550485
  • 0429550480
Subject(s): DDC classification:
  • 704.9/4863 23
LOC classification:
  • N8079.5 .B54 2016eb
Online resources:
Partial contents:
The Lazarus Mausoleum at Autun revisited / Neil Stratford -- Byzantine echoes at the end of the 11th century in the Kingdom of Aragon : Sancho Ramirez and the relics of Saint Demetrios of Thessaloniki -- fact or historiographical fiction / Marta Poza Yagüe -- The 'forest of symbols' on the Romanesque bronze doors at Gniezno Cathedral / Tomasz Weclawowicz.
Summary: "Arising from a conference organised by the British Archaeological Association and held in Oxford, the twenty-three papers in this volume explore the material culture of sanctity in Latin Europe and the Mediterranean between c. 1000 and c. 1220, with a focus on the ways in which saints and relics were enshrined, celebrated and displayed. Reliquary cults were particularly important during the Romanesque period, both as a means of affirming or promoting identity, and as a conduit for the divine. This book covers the geography of sainthood, the development of spaces for reliquary display, the distribution of saints across cities, the use of reliquaries to draw attention to the attributes, and the virtues or miracle-working character of particular saints. Individual essays range from case studies on Verona, Hildesheim, Trondheim and Limoges, the mausoleum of Lazarus at Autun and the patronage of Mathilda of Canossa, to reflections on local pilgrimage, the deployment of saints as physical protectors, the use of imagery where possession of a saint was disputed, island sanctuaries, and the role of Templars and Hospitallers in the promotion of relics from the Holy Land. This book will serve historians and archaeologists studying the Romanesque period, and those interested in material culture and religious practice in Latin Europe and the Mediterranean c.1000-c.1220"-- Provided by publisher.
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"Arising from a conference organised by the British Archaeological Association and held in Oxford, the twenty-three papers in this volume explore the material culture of sanctity in Latin Europe and the Mediterranean between c. 1000 and c. 1220, with a focus on the ways in which saints and relics were enshrined, celebrated and displayed. Reliquary cults were particularly important during the Romanesque period, both as a means of affirming or promoting identity, and as a conduit for the divine. This book covers the geography of sainthood, the development of spaces for reliquary display, the distribution of saints across cities, the use of reliquaries to draw attention to the attributes, and the virtues or miracle-working character of particular saints. Individual essays range from case studies on Verona, Hildesheim, Trondheim and Limoges, the mausoleum of Lazarus at Autun and the patronage of Mathilda of Canossa, to reflections on local pilgrimage, the deployment of saints as physical protectors, the use of imagery where possession of a saint was disputed, island sanctuaries, and the role of Templars and Hospitallers in the promotion of relics from the Holy Land. This book will serve historians and archaeologists studying the Romanesque period, and those interested in material culture and religious practice in Latin Europe and the Mediterranean c.1000-c.1220"-- Provided by publisher.

The Lazarus Mausoleum at Autun revisited / Neil Stratford -- Byzantine echoes at the end of the 11th century in the Kingdom of Aragon : Sancho Ramirez and the relics of Saint Demetrios of Thessaloniki -- fact or historiographical fiction / Marta Poza Yagüe -- The 'forest of symbols' on the Romanesque bronze doors at Gniezno Cathedral / Tomasz Weclawowicz.

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