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Language and power on the rhetorical stage : theory in the body / Fiona Harris Ramsby.

By: Material type: TextTextSeries: Publisher: New York : Routledge, 2021Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780367421854
  • 0367421852
  • 9781000298956
  • 1000298957
  • 9781000298871
  • 1000298876
  • 9781000298918
  • 1000298914
Subject(s): DDC classification:
  • 808.2 23
LOC classification:
  • PN1697
Online resources: Summary: "Through a fusion of narrative and analysis, Language and Power on the Rhetorical Stage examines how theater can enact critical discourse analysis, and how micro-instances of iniquitous language use have been politically and historically reiterated to oppress and deny equal rights to marginalized groups of people. Drawing from Aristophanes' rhetorical plays as a template for rhetoric in action, the author poses the stage as a rhetorical site whereby we can observe, see, and feel 20th-century rhetorical theories of the body. Using critical discourse analysis and Judith Butler's theories of the performative body as a methodological and analytical lens, the book explores how a handful of American plays in the latter part of the 20th century - the works of Tony Kushner, Suzan Lori-Parks, and John Cameron Mitchell, among others - use rhetoric in order to perform and challenge marginalizing language about groups who are not offered center stage in public and political spheres. This innovative study initiates a conversation long overdue between scholars in rhetorical and performance studies; as such, it will be essential reading for academic researchers and graduate students in the areas of rhetorical studies, performance studies, theatre studies, and critical discourse analysis"-- Provided by publisher.
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"Through a fusion of narrative and analysis, Language and Power on the Rhetorical Stage examines how theater can enact critical discourse analysis, and how micro-instances of iniquitous language use have been politically and historically reiterated to oppress and deny equal rights to marginalized groups of people. Drawing from Aristophanes' rhetorical plays as a template for rhetoric in action, the author poses the stage as a rhetorical site whereby we can observe, see, and feel 20th-century rhetorical theories of the body. Using critical discourse analysis and Judith Butler's theories of the performative body as a methodological and analytical lens, the book explores how a handful of American plays in the latter part of the 20th century - the works of Tony Kushner, Suzan Lori-Parks, and John Cameron Mitchell, among others - use rhetoric in order to perform and challenge marginalizing language about groups who are not offered center stage in public and political spheres. This innovative study initiates a conversation long overdue between scholars in rhetorical and performance studies; as such, it will be essential reading for academic researchers and graduate students in the areas of rhetorical studies, performance studies, theatre studies, and critical discourse analysis"-- Provided by publisher.

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